...> As the world progresses into digital broadcast, does this mean that
we'll
> be lumbered with whatever the original compression method is?
>
most likely, yes. However, note that _most_ digital transmission
standards (at least for audio) are higher datarate than Vorbis, and
presumably have near lossless quality. I don't think re-encoding AC3 at
say 384 kbits/stereo, encoded professionally from a digital source, should
be as bad as say starting with a 128-kbit MP3 encoding done off the analog
output of someone's discman to their soundblaster.
In the worst case, I would think upping the datarate considerably would
resolve most problems. If you're recording for your own use, local
storage allocated to audio is probably not your biggest budget item.
> Does this mean that some form of rudimentary copy protection can be
implemented
> by encoding in a peculiar way so that if the audio is re-encoded it will
> result in a bad quality recording?
Studios & various tech. companies are working on this. see for instance:
http://www.newsfactor.com/perl/story/12166.html
Recently I saw an example of a similar technology built into a set-top
box. Unfortunately, the artifact was already clearly visible on a
television monitor. I assume the intent was for an artifact to appear on
copies only.
>> Simon Wood
>
___ Dan Miller
(++,) CTO and founder, On2 Technologies
<p><p>--- >8 ----
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