search for: soundfields

...YZ in W.* - We allow "4 phase coupling" at higher frequencies. A perfect B-format set of WXYZ should only have real relation to each other*. The deviations from perfection can take 2 forms. a) Minimum Phase deviations of XYZ from W. These start happening above about 6kHz with present Soundfields. b) Random Phase deviations of XYZ from W. These occur at High Frequencies when a real Soundfield Mike no longer has flat frequency response in all directions. Above 10kHz with present Soundfields. - B-format from Ambisonically panned material (as opposed to natural Soundfield recordings) will...

On Sat, 28 May 2016 16:21:33 -0700, Michael Graczyk <mgraczyk at google.com> wrote : > Hi Marc, Hi Micheal. > On Sat, May 28, 2016 at 10:44 AM, Marc Lavallée <marc at hacklava.net> > wrote: > > I subscribed because your discussion on the IETF draft ("Ambisonics > > in an Ogg Opus Container") was mentioned on the sursound list. > > Thanks for

On Thu, Nov 10, 2005 at 05:30:10PM +0100, oliver oli wrote: > John Koleszar wrote: > >I hadn't even heard > >of ambisonics until your post, to be honest. > > because people don't know how to distribute ambisonics. no way to play > it in a DVD player. there are no easy to use software players that > decode ambisonic files and there are no widely used audio

A strategy for downmix support a) simple 4.0, 5.0, 6.0 7.0 Speaker Decode on the player via a separate library from the Vorbis core. This is the easy panning solution on the Wiki Ambisonic Decoder page and requires hardly any computing power. Most important cos its all about surround init? This library can be extended to have Shelf Filters & Distance Compensation for more sophisticated

Marc, Thanks for the comments. On Sat, May 28, 2016 at 5:50 PM, Marc Lavallée <marc at hacklava.net> wrote: > So, channels will stay uncoupled for Ambisonics? That would be great, > because considering how good Opus already is, I don't think that more > optimization is required, and it would put content creators at ease; > they often believe that any compression or channel

I threw a rough draft of an alternative format incorporating the comments received so far in this discussion on the wiki: http://wiki.xiph.org/index.php/OggPCM#Format Oliver, This seems to me like it would support the ambisonic requirements you mention, though it doesn't (and I imagine won't) describe the mic locations. Somebody who actually uses that info could probably define extra

i didn't find anything about tagging flac files as surround files. i think there should some possibility to tell the player how to play a multi-channel file (how to map the different channels to the speakers or if there some decode is needed, like for ambisonic files). any idea how to implement it?

Michael Grave just posted a question about surround conferences. http://www.facebook.com/notes.php?id=564633430#/note.php?note_id=5009726 3908&id=564633430&index=0 I didn't see it posted on the ast-list, what do you think? Does something like this have potential? I'd love to listen in on one of these calls to see how it actually sounds if someone builds a trial

On 2/28/07, Ivo Emanuel Gon?alves <justivo@gmail.com> wrote: > On 2/28/07, Ralph Giles <giles@xiph.org> wrote: > > Well, there are todo pages at wiki.xiph.org, but I meant more in the > > community folklore sense. My point is a roadmap doesn't help much unless > > there are people committed to making things happen. That's been the > > problem with a

On 2/28/07, Ivo Emanuel Gon?alves <justivo@gmail.com> wrote: > On 2/28/07, Ralph Giles <giles@xiph.org> wrote: > > Well, there are todo pages at wiki.xiph.org, but I meant more in the > > community folklore sense. My point is a roadmap doesn't help much unless > > there are people committed to making things happen. That's been the > > problem with a

Hi Opus list. I subscribed because your discussion on the IETF draft ("Ambisonics in an Ogg Opus Container") was mentioned on the sursound list. I tried Opus for ambisonics more than a year ago. It does works with uncoupled channels (I had to patch the encoder). I don't know what else could be done to optimize support for ambisonics, as I'm not a codec expert. So I think that

Date: Mon, 10 Jul 2000 14:51:12 +0100 (BST) From: DG Malham <dgm2@york.ac.uk> To: vorbis-dev@xiph.org Cc: DG Malham <dgm2@york.ac.uk>, Rob Fletcher <rpf1@york.ac.uk> Subject: Re: [vorbis-dev] True surround sound for Ogg -- a proposal (fwd) In-Reply-To: <Pine.SGI.3.95L.1000710092216.9043693B-100000@turpin.york.ac.uk> Message-ID:

>Yesterday I have finished writing the ambisonic pan filter for oggenc. May I ask what this "pan filter" is? I made some tentative suggestions for coupling Ambisonic B-format in a post "Vorbis Ambisonic coupling" on 4feb07 I gather from the last monthly meeting, that some of you, including Monty, had problems with the phase behaviour of B-format. Would anyone like a

Where can I find the Header file or whatever which specifies the "Mapping" flag. In feb - apr 2007, there was a lot of discussion about Ambisonics and Monty kindly stated that Mapping = 1 ; Denotes and Ambisonic file as opposed to = 0 which is 1 speaker/ 1 channel Has this been written explicitly into the standard? Which standard should I be looking at?

It obviously would be nice to have such a mode available, for e.g. DVD audio compression. Apparently, the list doesn''t tell me too much about it. My questions are: 1. What is the current status of the 5.1 channel coupling in Vorbis? 2. If I''ll be interested in participation in its development, what is the recommended reading? -------------- next part -------------- An HTML