A strategy for downmix support
a) simple 4.0, 5.0, 6.0 7.0 Speaker Decode on the player via a separate library
from the Vorbis core. This is the easy panning solution on the Wiki Ambisonic
Decoder page and requires hardly any computing power. Most important cos its
all about surround init?
This library can be extended to have Shelf Filters & Distance Compensation
for more sophisticated players (with more computing power) but still with the
standard 4.0 5.0 ... 7.0 layouts as above.
Premium players have a fully programmable Speaker Decoder based on Fon's
Linux stuff.
The Vorbis "decoder" defaults to simple 4.0 if the player says its
multi-channel but doesn't specify how many. We should be able to force
select the simple 4.0 5.0 .. 7.0 Speaker Decodes do deal with older
'dumb' players.
b) stereo support.
>simulated blumlein are the simplest downmixes and could be added with a very
minimal amount of code. They are also the least satisfactory.
As most of the prize winning recordings made with Soundfield mikes have used
them in plain stereo mode, usually Blumlein (eg the Chesky's) I don't
think we should look down on simple Blumlein.
The 3 good stereo downmixes are
- Blumlein fig-8s at 90. Probably best for loudspeaker stereo
- Back to Back cardioids. This is best for simple binauaral.
With Y increased by up to 3 dB good for speakers too.
- UHJ stereo : The most complicated cos long FIRs required.
Each of these will sound better under certain conditions and I would personally
want all 3. But if you asked me which to ditch, the obvious one to throw out is
UHJ.
The Vorbis "decoder" defaults to either Blumlein or Back to Back
Cardioids if the player doesn't say its multi-channel.
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