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Thanks for letting us try this. On my 1.5M DSL line in Pasadena CA USA, I get the 128k stream real good, output to Alesis M1 Active monitors. The fidelity is fine, as far as what I think the content probably sounds like. The 64K stream comes in fine as to throughput but sounds quite grainy, smeared and flangy high freqs. Well, you asked for reports. Keep up the good work. --- >8 ----

Wednesday, October 9, 2013, 2:00:02 PM, you wrote: > create ^ > title it xen_platform_pci=0 doesn''t work with qemu-xen > owner it Anthony Perard <anthony.perard@citrix.com> > thanks Perhaps in general looking at the libxl and xend .. and .. qemu-xen and qemu-xen-traditonal compatibility shoud be added too. Perhaps i''m a bit blunt .. but for users

I apologize if this is somewhere in the archives, but I can't seem to find a solution to this question. I've been trying to plot a bwplot: print( bwplot( n.pareto ~ as.factor(gen) | mut.rate * n.pop, data=p6, horizontal=FALSE, box.ratio=0.75, cex=0.6, xlim=c(-1,51), ylim=c(-1,500),

Suppose you have server A and server B. Server B is running 60 seconds too fast, while server A is accurate. Is there a way to gradually move server B's time back into sync with server A, without making a drastic, immediate change to the clock? In other words, we would like to 'smear' the difference across several hours or days to ensure there are no drastic changes in timestamps,

...;) text(x=2.5,y=44.3, "43.3%") text(x=4.5,y=51, "50.0%") text(x=5.5,y=54.3, "53.3%") box() axis(2, at=c(40, 45, 50, 55), labels=c("0", "45", "50", "55")) axis.break(2, 41) legend(1.5, 52.5, c("Mammograms", "Pap Smears"), bty="n", fill=(rainbow(2))) =================== END =================== [[alternative HTML version deleted]]

Hello. I have a distance matrix with lots of distances that I use hclust to organise. I then plot the results using the plot method of hclust. However, the plot itself takes around 20 mins to make due to there being ~700 things in the matrix that I have distances for. I thus would like to dump this to some graphics format which will let me examine this further. I tried dumping it to postscript:

On Fri, 2 Feb 2024, 90 wrote: > Since I can't help but feel like my previous email is already being flat-out ignored, I would just like to reiterate: > > - I am not asking for ~/.ssh to stop being used. > - I am happy to contribute this myself with the blessing of the devs. > > All I would like is to be able to move files within ~/.ssh to their appropriate XDG paths and

OK, into the nitty-gritty, albeit a high-level version. If it sounds like I'm glossing important details, you're right. This discusses only the basic DSP; precise coding, framing, sync, etc, will be in another mail. Vorbis is a hybrid transform domain general purpose audio encoder, like MPEG in some respects (it is rooted in much of the same basic theory). For the most part, the

Another "me too" (also Gmail). I just received my 4th "account suspended, too many bounces" email, after having several days of lost mailing list content over a short vacation break the last time. When I notified the admin email account of the failure, it seemed the responder missed the point about the emails, saying the link had expired (it had been more than three days

For the last few weeks I've been fiddling with the 0.8 code-base, mostly because compiz got nuked in my distro and I had to do something, if for no other reason than to have a running WM. You can find my work at: https://github.com/KristianLyng/compiz (I'm also tracking issues there) I've done what I felt like doing, some of which would've been controversial/problematic 5 years

Hi, I'd like to contribute to Vorbis and I think this may be of some interest for low bitrate coding. I have been experimenting with low bit-rate coding for the high-band (11 kHz to 22 kHz) and, though I haven't yet started quantizing my coefficients (a gain and an LPC filter), I expect to be able to approximate the whole 11-22 kHz band with around 1000 bits/s per channel (maybe even 500

On 28 June 2013 10:28, David Tweed <david.tweed at arm.com> wrote: > (Inicidentally, responding to the earlier email below, I think you don't > really want to compare moving averages but use some statistical test to > quantify if the separation between the set of points within the "earlier > window" are statistically significantly higher than the "later

As R is sophisticated enough to track leap seconds, ?.leap.seconds we'd need to update our codes real soon now again: https://en.wikipedia.org/wiki/Leap_second (and those of you who want second precision in R in 2017 need to start working with 'R patched' or 'R devel' ...)

2 February 2024 at 12:37, "Damien Miller" <djm at mindrot.org> wrote: > > No, sorry. This has been discussed extensively before, leading to the > > most uncivil discussion our bugtracker has ever seen and the only > > permanent user bans I've ever had to implement. Myself and the other > > developers have zero desire to relitigate this and no

Hi, I want to get random number which is uniformly distributed on the unit disc. How can I do that with R? Best wishes, WAN WAN [[alternative HTML version deleted]]

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Hi, Apologies for an off topic, but important request. Please DO NOT REPLY TO THIS LIST! Please DO NOT DISCUSS this ON LIST. Make all replies direct to: jht@samba.org There are claimes that open source software poses a big risk to commercial users because there exists NO formal support facilities. A journalist would like to speak with key people who have obtained support from both the open

Dear fellow R-users, I?m using the Glm function (gamma family of distributions) from the rms package to compare 2 groups on costs data. Although the summary function does provide the mean cost difference and standard errors, I believe these values were in the (natural) log ratio format. Is there a function to express these values into the original scale of the response variable (i.e., dollars)

Hi, I've tested Theora on an HD-ready material, with quality 7, single pass. Resulting bitrate was 1.8Mb/s. Most parts of a movie encoded this way look fine, usually better than a DVD, and in daylight scenes, have no noticeable artifacts at all. But it seems that red surfaces are too much compressed; blocking artifacts are clearly visible on them. Also, white people have slightly smeared

triggers Message-ID: <410085E5.20601@griffith.edu.au> Hi everyone, I've added a new advanced-encode-option that allows the user to change the global mapping value for the particular quality value they encode at. The option is called "impulse_trigger_profile" and can take on values of 0 to 6, where 0 to 4 are the default _psy_global_44 values while 5 and 6 are basically 3 and