search for: percussions

Hi, I've looked in various FAQs and web pages for this info, but just can't seem to find it. When two tones of two different frequencies sound equally loud, what's the (rough) relationship between their power? This is for percussive sounds in music, but I assume it's roughly the same for all sounds. The ear seems more sensitive at high frequencies. For example, when you

On 6 May 2023 09:56:35 BST, Hao Chen <chenh at yusur.tech> wrote: >In the current code, if the maximum MTU supported by the virtio net hardware is 9000, the default MTU of the virtio net driver will also be set to 9000. When sending packets through "ping -s 5000", if the peer router does not support negotiating a path MTU through ICMP packets, the packets will be discarded.

...initely not close to the original. Listening to it again, I can confirm the difference I heard, although maybe I wouldn't put it in last place this time. The passage I based the Ogg/Vorbis 128bps decision on is from "Love at First Sight" by Kylie, and it's simply so that the high percussions seem to have too long a decay time compared to the original. It's thus probably not a frequency response problem but effectively sounds like one. I tested Ogg/Vorbis again simply by encoding the reference file with oggenc from 1.0, at default quality. It has exactly the same problem. If I go t...

Hello all. I am able to programmatically decode speex just fine (playing others' encodings), but my encoding eats the beginning of words. If I encode a word that gradually increases in volume, like "wonderful", I hear "nderful", but if I encode something percussive like "beep" I hear almost all of it. It's as if the modeller does not detect the start of a

Josh Coalson wrote: > --- Erik de Castro Lopo <erikd-flac@mega-nerd.com> wrote: > > > Hi all, > > > > I added -Wmissing-prototypes -Wstrict-prototypes to the CFLAGS and > > found that there were a number warnings generated. > > > > The patch below fixes those warnings and adds the two -W flags to > > configure.in. > > I checked most

OggEnc rc3 has trouble with this file. It adds high frequency gunk to the percussive synth part. Lame encodes it fine. http://www.teaser.fr/~amajorel/misc/nabogg.wav http://www.teaser.fr/~amajorel/misc/nabogg.ogg -- André Majorel <URL:http://www.teaser.fr/~amajorel/> std::disclaimer ("Not speaking for my employer"); --- >8 ---- List archives:

Hi, quoting the vorbis doc "Vorbis frames may be one of two PCM sample sizes specified during codec setup. In Vorbis I, legal frame sizes are powers of two from 64 to 8192 samples. Aside from coupling, Vorbis handles channels as independent vectors and these frame sizes are in samples per channel." I want to explicitly specify the sample size, so, how can I do it? Can I set min_size

Running on UBUNTU 10.04 current to recent hours. When running Simcity 4 Rush Hour with a very small suite of plugins, sometimes the graphics goes haywire. The early symptoms are RGB + black squares appearing here and there. As this develops, graphic objects start to take on primary colours. I've never let it go to a crash. Sometimes restarting the game fixes this. You can tell because

Hi there, I encoded the hard to encode piece ":wumpscut: - mother" with the new prebeta4 encoder (windows). As I crashed my harddrive I've to reinstall linsuxx again and double check the results, maybe there's a difference between the platforms (as far as I remember there was such a thing before). This song is pretty good for fast listening-tests as there are plenty of

Hi there, I encoded the hard to encode piece ":wumpscut: - mother" with the new prebeta4 encoder (windows). As I crashed my harddrive I've to reinstall linsuxx again and double check the results, maybe there's a difference between the platforms (as far as I remember there was such a thing before). This song is pretty good for fast listening-tests as there are plenty of

...ot;-q 0" is eminently usable, with only marginal defects for normal usage. Already sent money, will do that again. * * * I spent at least 40 hours in the last week testing RC3. I selected a few fragments from pop, classic and jazz CDs in my collection, covering piano, harpsichord, voice, percussions, cymbals and complex arrangements. Also, downloaded a few samples from the Net. I listened to them with a decent Sony headphone, and looked at them through the spectrograms of CoolEdit2000 (have yet to find a good audio editor on Linux). I was able to see many more differences than to hear them...

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Can someone who really knows the Ogg command-line encoder, help recommend the best setting for 33.6k modem stereo music streaming? (56k doesn't count cuz many people's 56k modems don't work at a full 56k, and I want them to be able to surf CD Baby at the same time as listening. 2 minutes / 120 seconds of audio should be about 400k.) I'm at my wit's end: tried everything I

This thread has raised several good topics. It's surprising that the FLAC-Dev list has been silent for years, and now suddenly there are several good ideas to discuss. On Jan 7, 2011, at 15:04, David Richards wrote: > I am interested in streaming lossless audio, FLAC is probably the best > option for that. Currently the OggFLAC way of doing it mostly works > with a few hacks in

Hello, I'm new on this list. First of all, thank you to all the developers of this great project! At the moment there is only an application that keeps me on both macos and windows, its name is PWGL a free environment for computer assisted composition in openGL. (http://www2.siba.fi/PWGL/) I'm running Ubuntu 8.04 and wine 0.9.59. I have to say that I also installed vcrun2005 and

A month or two ago I sent an email to this list proposing to expand the list of "standard" tags for Ogg Vorbis. No tag would be required, but if you wanted to encode certain types of information about a file, you could use a standard tag. I went through the whole discussion, and revised my proposal in light of all the comments from everyone. Here is the updated proposal. This