similar to: spectrogram

Hi, I need to plot a spectogram for a speech signal. Is there a package that can do this? -- Rajesh.J [[alternative HTML version deleted]]

I know that there is a function, (spectro3D), that produces the Power Spectrogram. Are there R functions that produce the Frequency Spectrogram and the Phase Spectrogram? Thank you for your time. [[alternative HTML version deleted]]

Hi, I'm trying to boot via TFTP using PXE, and it gets an IP, and "TFTP ." flashes before disappearing, and the machine hangs. This TFTP server and DHCP setup is known to work with many other machines. Can anyone help me debug this problem? What can I do to make the pxe output more verbose? -- Regards, Etienne Le Sueur Research Assistant - Gelato @ UNSW

Recently I got introduced to two packages: {seewave} and {audio} . Turns out they both have a tool to call a system audio tool, and in both cases the name of the tool is play(). Naturally these two tools do slightly different things with different arguments. So, what should a user do, and more to the point, what should R do? If I've learned the right things about environments, I

Good afternoon, My name is Thiago. I'm?a graduate student?and affiliated to an Anuran Bioacustic and Systematics Laboratory at UFU (Federal University of Uberl?ndia)?in Brazil.?The professor in charge of the?lab (Dr. Ariovaldo Antonio Giaretta) and I?have recently been?making use?of R, specially the packages Sound and Seewave so as to analize?anuran recordings. This software is just

Hi guys, as MP3 and Opus have very similar objectives, I think the original poster's question was a valid one: Why does Opus have more artefacts in the lower frequency ranges than MP3 has? The spontaneous suspect that lower frequency artefacts may be more noticeably than higher frequency artefacts seems plausible, also. Is it a matter of energy (which is higher for higher frequencies)? When

Hello. Me again. Have you tried to encode piano solo? Noticed high bitrate Opus gave? And there's also artefact at 15kHz which wasn't in the original audio. Visible with Spek program. Download FLAC and Opus both files, new link: http://www.filedropper.com/example_3 FLAC full: 1084 kbps; FLAC solo: 465 kbps. with --bitrate 160: Opus full: 158 kbps; Opus solo: 190 kbps. Included also Spek

Jean-Mark sarkasm. Jean-Markasm. (Bonus points for providing an actual noisy WAV! ^_^) On 30/10/2017 20:28, Jean-Marc Valin wrote: Hi, Before I comment on the graphics you posted to visualize the difference between two audio signals, I'd like to ask for your help in evaluating my JPEG encoder. I've encoded an image with JPEG and then computed the difference with the original. I then

Hello all, I'll bet this is not complicated, but I really did hunt for information on it, and tried some ideas without success. Running Windows XP and R 2.3.1 I am using the Sound package to read in .wav files, and this works fine. The R object produced is of class "sample". I want to use some of the functions in the package Seewave to do further analysis, but this package

Hello, I'm using R to run a acoustic analysis software called Seewave. I ask the code to extract a list of variables from my recording, and the program give ONE table for each of these. The tables consist of a two column data.frame with the time in column 1 and the frequency in column 2. However, for my purpose I need only one column with the time first and the frequency second. I tried

On Nov 05 11:32:49, hans at stare.cz wrote: > On Nov 05 11:05:34, hans at stare.cz wrote: > > > Did you also try to listen at the beginning, shortly before the real tone appears in the audible spectrum? While significantly larger, Opus had produced significant ghost noise (much less than Vorbis did)... I experience the "same" low level noise even in a wav file, even on

> Why are you using a stereo file > containing the same sweep in both channels > and then downmixing to mono? When I first tried encoding at a higher bitrate, I needed to test the different behavior of the "mid" (l+r) and "side" (l-r) channels. That's why I made the first sweep identical on both the left and the right channel (i.e. "side" is silent)

On Aug 07 08:30:31, hans at stare.cz wrote: > On Aug 07 00:41:52, petrparizek2000 at yahoo.com wrote: > > ????#1. To test encoding at low bitrates, I encoded a sine sweep at 12 kbps > > with Opusenc and then decoded the resulting file with Opusdec. > 1) Opusenc --bitrate 12 --downmix-mono Sweep50.wav Sweep50.opus Why are you using a stereo file containing the same sweep in both

Hi, I have a strange package installation problem after update to R 2.11.0 on Fedora Core 12. A colleague of mine with the very same Fedora and R versions doesn't have this problem, while logging on to his computer but installing from my settings and into my local library path also shows the problem, so it seems to be related to some of my environment settings. Installation of several

Dear Olivier, Many thanks for your reply. Very cool. You know what I thought ? I thought you had modified the A4 sheet size to compute the paperheight and paperwidth ? I wonder if that's another way of proceeding. Best, Ashim On Sat, Nov 18, 2023 at 12:51?PM Olivier Crouzet <olivier.crouzet at univ-nantes.fr> wrote: > > Dear Ashim, > > these are documented in the LaTeX

On Aug 07 00:41:52, petrparizek2000 at yahoo.com wrote: > ????#1. To test encoding at low bitrates, I encoded a sine sweep at 12 kbps > with Opusenc and then decoded the resulting file with Opusdec. What sine sweep exactly? How did you obtain it, and how exactly did you encode and decode it? Jan > The strange > thing was that even though the output wave file was at 48 kHz, it

And indeed again (I did not understand your previous question exactly at first), the 'hard-coded' definition of a landscape a4 sheet would therefore be: paperwidth=29.7cm, paperheight=21cm Olivier. On Sat, 18 Nov 2023 13:20:49 +0530 Ashim Kapoor <ashimkapoor at gmail.com> wrote: > Dear Olivier, > > Many thanks for your reply. > > Very cool. > > You know

This is not the same as the recent thread on a waterfall graph. I'm thinking about the rolling FFT display used in acoustics and other spectrum analysis tasks. Here's an example of a very fancy 3-D waterfall display: http://www.ultimaserial.com/UltimaWaterfall.html I was just wondering if there are any simple hidden-line tools in R that I could use to draw simple waterfall displays.

On Aug 07 22:04:21, petrparizek2000 at yahoo.com wrote: > > The encoded opus file is 48kHz, > > so how would the output wav be resampled from 16kHz? To be clear: did you mean the opus output of opusenc or the wav output of opusdec? > > What are those "clear signs" exactly? > > The things that I can hear while listening at 1/2 or even 1/4 of the > original

On Aug 07 10:08:43, petrparizek2000 at yahoo.com wrote: > > What sine sweep exactly? > > An exponential sweep. It started slightly below 24 Hz and ended almost at 24 > kHz. And it was 50 seconds long. > > > How did you obtain it, > > I used Angelo Farina's "Aurora" modules. One of them is called "Generate > sine sweep". Can you please