similar to: Compression and saturation

Stefan Neufeind wrote: > Could you be a BIT more precise? If you use SQRSoft crossfading, > doesn't it work as desired with the normal Oddcast DSP? And if it > does: Where's the problem with using the Null output plugin? You can only select one output plugin in Winamp and that needs to the the SQRSoft one, not the Null output plugin. The audio needs to pass through the

Hello all, I have subscribed to this list hoping I might find someone who can suggest a fix for a problem I'm experiencing with Icecast (or possibly something else in my setup). Here is my configuration: Foobar2000 is running on a Windows XP PC. It has the Oddcast plugin and it is streaming to a Linux machine that is running Icecast Server 2.3.2. Foobar2000 is using the Crossfade,

Hello, My question is : is there a way to have Icecast buffer the input / increase the input buffering ? Even though the latency would increase ? Why : On some radio streams, the listeners to a Icecast stream experience very frequent silences / disconnections. I strongly suspect that the source has a slow/bursty connection to Icecast so that the data sent to the Icecast server arrives in

On Fri, 21 May 2004, Jack Moffitt wrote: > Maybe this is a stupid question, but why don't you just use Oddsock's > plugins which support the better protocol? Not a stupid question. There's three considerations. 1. This project has around fifty broadcasters. It has been running for 3.5 years, and whilst some have moved to using plugins like SAM which (presumably) does

Hi, Is there a way in which rsync's -z compression (zlib) utility can be benchmarked? I'm trying to compare the compression ratio between rsync and external compression tools like gzip and bzip2. Are there any advantages to using rsync's internal compression mechanism specified with the -z option compared to solely applying external compression i.e. bzip2 to the files and invoking

This is what i found out in use with the icecast servers. Mounts Can be made by each of the following: 1> The icecast.xml file define a mount with a username/password for this mount. Since most our broadcaster using edcast to broadcast the username is set to source. 2> The use of the global source password can create a dynamic mount. But, the best way is to define it in the

Hi all: I'm looking at some of the features in SVN Icecast, particularly the ability to reclaim fallbacks. This feature would be very useful for a project I work with, and could see us switching to icecast from Shoutcast compatible technology. One problem arises, however. Some of our broadcasters use the legacy Shoutcast DSP plugin, which can only perform ICY-style connects. My problem

Hi, Can anyone point me at a url where i can learn to: 1. display the name of the ogg stream in the winamp window (is this to do with the oddcast config or with the .pls file?) 2. show a url automatically in the winamp minibrowser when the ogg stream plays <p>many thanks adam <p><p><p>Adam Hyde XS4ALL Internet B.V. mobile : + (31) 06 2903 6248 Eekholt 42 1112 XH

Hi, i am using Rsync for making backups of a MySQL database. The MySQL files can be compressed about 1:10 and i want to make use of this fact. Rsync currently doesn't support saving files in a compressed state. I personally think this should be a feature for the filesystem (in the sense of "synchronised files") but currently there is no such filesystem for Linux available.

On Tue, Oct 27, 2009 at 04:40:02PM +0000, Karl Heyes wrote: > On 27/10/09 09:09, Andreas Bergstr?m wrote: > > http://radio.hiof.no/nrk-jazz-128.ogg (Vorbis stream, glitches) > > from here, ogg123 is ok (although a 128k buffer, not sure what the > prebuffer % is, seems to be low, try increasing those). I check it out with bigger buffer (size 512 kB, prebuffer 80 %) again and

Hi guys , I'm writing in the mailing list for asking if tou know some script or system linke Mrtg for see the bandwitch usage of every mountpoin. Thanks Pierpaolo Gull?

On Thu, 4 Apr 2002, Akos Maroy wrote: > can you tell me more about these LADSPA plugins? LADSPA stands for Linux Audio Developer's Simple Plugin API (see http://www.ladspa.org/). Basically, it was pointed out on the linux audio dev (LAD) mailing list that numerous programs were using plugin architectures and all were different. So they fleshed out a plugin API and the rest, as they say,

Dear all, I have a wav file that when I try to encode with the FLAC Frontend, I get "ERROR: unsupported format type 3". When I open it with an audio editor I find it is 44100 / 32 bit. I requantized it to 16 bit using the default dither and then compressed it with FLAC to get a 61 Mbyte file (the original was about 347 Mbyte). Obviously, this altered somewhat the quality, although

Hello, it would be nice to display also the quality of the stream. Just an idea... :-) Keep on rocking and regards Sascha Am Freitag, 11. April 2008 00:05:57 schrieb Vincent Tabard: > Hello, > > We're (Karl and I) currently working on a new version of the YP... so, > yes, so things need adjustings :) > > To remove yourself from the YP listing, either make your source

Sorry for the long rave. I write Windows software for broadcasters (Radio & Internet) and in a newsletter I send out to my streaming clients I was recommending Ogg Vorbis/IceCast2 as the streaming solution for the future. All of my clients are using Windows and a lot of them are using Winamp2 for their broadcasting. Currently they would be forced to use the OddCastDSP. One client who should

Sorry for the long rave. I write Windows software for broadcasters (Radio & Internet) and in a newsletter I send out to my streaming clients I was recommending Ogg Vorbis/IceCast2 as the streaming solution for the future. All of my clients are using Windows and a lot of them are using Winamp2 for their broadcasting. Currently they would be forced to use the OddCastDSP. One client who should

How are people doing gain control, out of curiosity? I know boxes exist (anyone have names and mfrs?) that ride the gain for big radio stations, ensuring that there is no distortion and raising the volume of songs recorded at a lower volume. I'd probably buy one if I knew what to buy. ------ Dave Hayes - Consultant - Altadena CA, USA - dave@jetcafe.org Now Playing at:

I think when the real-time cbr encoding issues are sorted Vorbis (this is my experience with oddcast dsp, winamp and icecast 2 win32, big cpu hog) will start gaining more ground, also I think it will also gain more ground when it starts getting implemented into the more mainstream software and hardware products. For the most part vbr mp3 (btw, provide mp3's for downloads as vbr.. Better

>Fromwhat you describe, your comp/limiter can't possibly be working correctly. It should be the last unit in line before the sound card, and needs to be adjusted properly. You also need to balance the levels on your mixing board (so that the correc t level comes at predictable place on the slider). It might be worthwhile to find someone with some sound-mixing or radio engineering experience

Hi, I searched the Internet to find an answers, but I didn't find anything useful, so I'm turning to you, maybe someone has the answer. I want to make a realtime broadcast from a Linux box. The source is the soundcard's line-in, and it sends the stream to an Icecast server. I would like to have realtime compressor/limiter functionalities on this Linux box, so the outgoing signal