similar to: Ogg Vorbis + Hardware

Sure. However, I don't believe e-mail is an effective tool to make change, since much of the stuff that gets sent about things like this, either look like fanatics that won't take no for an answer, or people that demand their right to something which a company can't guarantee or has no obligation to provide. Most of the time, e-mail ends up sounding like a flame fest which isn't

On Thu, Nov 21, 2002 at 01:39:40AM -0800, Josh Coalson wrote: > 1. FLAC would benefit from the increased visibility from the association. > Emmett can probably expound more upon this point. Anyway, hopefully this > will mean it's popularity will rise, not just with users but also with > developers of other tools. I agree that a relationship with Xiph.org would have a positive

Forwarding a conversation with a company that provides a management tool for transcoding Vorbis files to MP3 when communicating with the Nomad Jukeboxes from Creative. Good initiative, and probably sounds OK too, but would be even better with FLAC, so I'll ask about it. Linus ---------------------------- Original Message ---------------------------- Subject: Re: Vorbis question From:

What is DRM? Why do we remove DRM from WMA WMV ? Have you download music and video from Windows Media Player, iTunes, Rhapsody, Napster, bearshare, Spiral Frog, BBC iPlayer downloads? These popular WMA music and WMV movie download programs among the music fans always come with a disgusting word - 'DRM'. DRM (Digital Rights Management) - The anti consumer copy protection that prevents

Balint Jacint wrote: > I have an icecast2 server installed, and I need to set up a Linux-based > computer that sends a church's programs to the icecast server. (Both > worship and teaching.) > What application do you suggest? It would be really pleasing if I > wouldn't need X11 to use the software, and it would display (with > charactergraphics) the current signal

Dear UseRs! We are pleased to announce the release of our new package 'PVAClone'. The 'PVAClone' package implements Population Viability Analysis (PVA) methodology using data cloning. The data cloning algorithm by Lele et al. (2007, 2010) is employed to compute maximum likelihood estimates of the state-space model parameters and the corresponding standard errors, heavily

Dear UseRs! We are pleased to announce the release of our new package 'PVAClone'. The 'PVAClone' package implements Population Viability Analysis (PVA) methodology using data cloning. The data cloning algorithm by Lele et al. (2007, 2010) is employed to compute maximum likelihood estimates of the state-space model parameters and the corresponding standard errors, heavily

_+icecast@sucs.org wrote: > Ices, Darkice, most of the normal stream creation bits don't need X11 > Do you mean normalisation? I mean dynamic compression. > WMA is Microsoft only so you will probably need to use Microsoft > software to do this. > > But if you already have MP3 I realy don't see the reason for WMA, as > anything that plays WMA is likely to also

> Date: Fri, 05 Dec 2003 13:22:53 -0500 > From: Jean-Marc Valin <Jean-Marc.Valin@USherbrooke.ca> > > I think I see what you mean, though I haven't been able to listen to > your wma file (not everyone has a wma decoder). The problem probably > only lies in the VBR tuning for wideband which hasn't received much work > yet. One way to check that is to encode in

Dear R users, I am looking for some advice on the proper construction of a mixed model in R, using the difference in means as the response and treating within-means residuals as a random effect. I have a dataframe (my own, a snippet of which is given below) that is composed of observations of pollen viability in flowers along tree branches. Flowers (1 to 3 per position) were collected from

hi folks, in my (unlucky) first test of ogg vs other encoders, i found a case where wma and mp3pro sound much better than ogg at 64k. can anyone suggest a setting that i haven't tried yet that can rival the wma and mp3pro samples at 64k? it's the "gravel effect" that is troublesome. the part in question is the first 15 seconds of this wave file:

Hello, I'm trying to do a comparsion on a large scale say 10L bottle of liquid and a small scale bottle of liquid 0.5L, I have 5 different samples from each and they are measured over the space of 8 days as % viability and the % viability decreases over time. However not all 10 samples got measured every day. How would I do a two-way anova on this in R? Thanks for any help. Regards, Al

Hi All, I have two questions. I have an icecast2 server installed, and I need to set up a Linux-based computer that sends a church's programs to the icecast server. (Both worship and teaching.) What application do you suggest? It would be really pleasing if I wouldn't need X11 to use the software, and it would display (with charactergraphics) the current signal level. The signal

The guide shows how to crack drm from protected wmv, wma, m4p, m4v, m4a, aac files and convert to unprotected WMV, MP4, MP3, WMA or any video and audio formats you like, such as AVI, MPEG, MOV, 3GP, m4a, aac, wmv, ogg, wav... and alos will show you how to burn them to a DVD Part 1: how to convert all movies and music (including protected DRM Video and Music) Queston 1: I purchased and

This doesn't appear to have made it to the list (although i still appear to be subscribed...). Bcc'ed to Damien for good measure. -- jim knoble | jmknoble at jmknoble.cx | http://www.jmknoble.cx/ -------------- next part -------------- An embedded message was scrubbed... From: Jim Knoble <jmknoble at jmknoble.cx> Subject: PATCH: OpenSSH-2.3.0p1: specfile trivia Date: Sun, 19 Nov

Dear Valued Customers, Last evenings mailer went out to all of you. Half of you received it, and half of you received a blank email. We re-sent the email to all of you again this morning. So we have decided to have two winners, one for last evening and one for today's mailer. We are very sorry for the problems; the new mailing system isn't perfect. Trivia Question: What movie star

--- boink <boink@tetter.xs4all.nl> wrote: > The ogg stream is running at around 30 kbps/11 kHz in stereo. The > WMA > stream (provided by yacast.fr) is running at 16 kbps/22 kHz in > mono. Is stereo vs. mono, and 22khz vs. 11khz even a fair comparison? 22khz vs. 11khz: 22khz, by definition, gives the 22khz stream much more frequency range and *opportunity* to sound clearer.

> From: Jack Moffitt [mailto:jack@icecast.org] > > So in the very near future, I don't think that there will be any > non-vorbis capable players. And for the most part, I think Vorbis will > be included in most players, though I have little hope that Microsoft > will allow Vorbis to stand side-by-side with WMA. There is a big difference between having a codec available for

At 06:44 PM 6/24/2003 +1200, you wrote: >Stefan Neufeind wrote: > >That is exactly what I was suggesting. DSP stackers allow DSP's to be >processed in the order you need. In my case, however, I would use the new >DSP in the Winamp DSP/Effects and the OddCast DSP in the SQRSoft DSP area. > >Regards, >Ross. the DSP is the wrong place to do this....The right way to do it

Hi, I think I see what you mean, though I haven't been able to listen to your wma file (not everyone has a wma decoder). The problem probably only lies in the VBR tuning for wideband which hasn't received much work yet. One way to check that is to encode in constant bit-rate and see what the results are. I'm pretty sure you'll notice the problem appears only at (CBR) quality 5 or