similar to: Streaming Considerations.

> performances. That's ~125,000 performances a year, which equates to about > $180,000. > > Significantly higher than the Frauhofer license, unless you generate > $9Mil/yr or more in revenue from your stream. The rates are in arbitration, and I doubt they will come out anywhere near that amount. It just isn't feasible, even for large companies. Reember, tradidional

On Thu, 13 Sep 2001, Jack Moffitt wrote: > > ================================================================== > > hey josh, > > i talked to [faculty advisor] today and was told we must stop our online > > streaming. reasons for this rash decision involve around a new law that > > was put in place over the summer saying that stations who broadcast online > >

Basically, to legally broadcast music you must: A) Obtain permissions from the copyright holder (usually the publisher, record label) of the *composition*. ASCAP, BMI, and SESAC offer compulsory licenses for all of the artists they represent, fees based upon roughly how many listeners your station has & how many songs in your broadcast are by artists/composers they represent. B) Obtain

Jack Moffitt wrote: >>If I do this publicly, I've already researched the royalty situation, >>etc. It's not all that complicated in that regard... radio stations >>already allow callin shows. This is just a variation. >> > Wow, this must have just happened in the last 12 months (I last looked into this about a year ago). Can you point out a URL to the

Asymmetric wrote: [SNIP] > > I don't know (don't use ices) but I thought I should inform you.. taking > user requests may cause you to violate the RIAA rules regarding that > topic, depending on how you handle it. Be careful. ;) > It's for my office... I'd love to play my CDs on my radio, but it would disturb those that don't like my music. Some do, so

I've been working on a jukebox application for a while. My wife recenlty asked "You spend so much time coding that and ripping CDs... Is there a way I can listen to the songs at work?". So...I made a simple web script to add songs to the play queue and I added the ability to stream the raw audio to stdout and linked it up with ices2. My problem is I think the jukebox decodes

Hi, Would DAAP help somehow? Digital Audio Access Protocol <http://www.opendaap.org/> I do believe since it's based on iTunes, and one can "scrub" a properly networked file with iTunes, that it's DAAP actually includes this feature. But both ends must be using this protocol. (iTunes by itself can only share playlists with your intra-net shared machines. It is

Scott Manley wrote: > Actually if you;re interested in integration with some sort of > subscription services then you want as much of the subscription logic to > be external as possible - trust me - I designed a subscription based > system which handled 7 million users (and managed to bankrupt at least > one company ;-) > > > Basically when you get into subscription

On Thu, 13 Sep 2001, Joshua Vickery wrote: > Great, so should we file with SoundExchange or wait for the RIAA to pick > a rate? Yes, you are supposed to file with the RIAA (SE as you suggest?). Period, end of story. Jwz covers this on his site IIRC. > Even if they insisted on collecting $0.004 per performance I don't think > we have even 100000 "performances" a

Hello. I'm new to the list, and I've dutifully, like the good newbie (in this list anyway) that I am, have searched through the archives, but I can find no answer to my question. SO...is there, or can there be, a viable MP3 to OGG translator, so that those of us with gigabytes of MP3's (legalities aside) can translate them to OGGs? I don't mind ripping any NEW Cd's that

> >There's still a possibility that the DMCA will be dismantled before the > >arbitration is even finished. You shouldn't have to pay the RIAA > >anyway, and the fact that they are even involved is astrocious. > > I think having the DMCA repealed would be too much to hope for, but one can > dream right.. :) At the very least section 1201's days are

> >So uh, you think it's worth more for mp3, than the actual music > >involved? > > > >Come on. > > Hmm.. so what you're saying is that for under $2K I can get an unlimited > distribution license from the recording industry? To burn, distribute, > sell and market as much of their material as I like? Wow. Sign me up. Streaming music is $250

Hi Stefan > Running one WinAmp (for input) with several outputs you mean? No, many Winamps. We will be setting up hundreds and eventually thousands of stations with IceCast2, so the more we can run on one PC the better. I'll take a look at TotalRecorder. Thanks, Ross. --- >8 ---- List archives: http://www.xiph.org/archives/ icecast project homepage: http://www.icecast.org/ To

[thread change, different topic] >is there a clean way to have MOH (Music on Hold) source >its audio from say a MS-ASF streem ??? > >got a radio station that wants to have their MOH come >from their ASF based netbroadcast I have run out of time for fooling around today, but I started to think about this one but have no time (or ability) to build this little glue program.

We want to setup multiple streams using multiple copies of Winamp/SQRSoft crossfader/OddCast. We are guessing that somewhere between 16 and 24 streams may be supported on one dual-processor PC. However, rather than sending the output of all the streams to a soundcard (which may cause problems?), I thought it should be possible to send the output to a dummy soundcard driver. I was sure one

It won't be long until big labels attempt to eliminate the digital ins and outs of equipment. The problem they face is most people that currently use a rack system featuring digital interconnects will NEVER revert to an analog only system. I know that I won't! Think back to VHS, BetaMax, SVHS and LaserDisc. VHS has incredible market share because its licensing is open. Betamax was

On Thursday 01 February 2007 20:32, you wrote: > --- Hal Vaughan <hal@thresholddigital.com> wrote: > > amj.flac: 97% complete > > > > amj.flac: ERROR while decoding data > > state = FLAC__STREAM_DECODER_END_OF_STREAM > > > > The file plays without any problem from Amarok. How can flac > > encode this without any problem and have

Hello I'm using icecast 1.3.10, and streamcast-0.8 I started it with nohup icecast & and it was happy for a while then the stream dropped out. I looked in nohup.out, and there was about 500 lines that just said "You can run, but you can't hide!" After I changed my underwear, I looked through the source to verify that the message was coming out of Icecast and not the RIAA

I''ve had some issues with my network, and I''ve had to reconfigure my Gibraltar CD. It runs shorewall 1.4.8, and I have a 2-interface setup, so I downloaded the relevant files from the install page. Masq and such works, but I''m having a problem with my port forwarding. It works for port 22, but it doesn''t seem to work for any other port. I''ve turned

Last year I arranged with my college radio station and ITS department to webcast the radiostation using icecast. The webcast has been a wonderful success so far. My problem now is not technical, but political. A few days ago I recieved the following message from the station director: ================================================================== hey josh, i talked to [faculty advisor]