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...%$ mail_plugins = sieve postmaster_address = postmaster quota_full_tempfail = yes rejection_reason = Your message to <%t> was automatically rejected:%n%r } protocol imap { mail_plugins = " zlib, acl, imap_zlib" } any idea? Mit freundlichen Gruessen / best regards papaya Software GmbH i.A. Alexander Weber -- papaya Software GmbH | Im MediaPark 5 | 50670 Koeln | Germany Tel./Ph.: +49-221-5743-8070 | Fax: +49-221-5743-8099 mailto:weber at papaya-cms.com | http://www.papaya-cms.com/ -- Geschaeftsfuehrer: Andreas Jacobi, Andr? Schnitzler, Daniel Sch?fer Sitz&...

...m: %$ mail_plugins = sieve, zlib, acl, imap_zlib postmaster_address = postmaster quota_full_tempfail = yes rejection_reason = Your message to <%t> was automatically rejected:%n%r } protocol imap { mail_plugins = zlib, acl, imap_zlib } Mit freundlichen Gruessen / best regards papaya Software GmbH i.A. Alexander Weber -- papaya Software GmbH | Im MediaPark 5 | 50670 Koeln | Germany Tel./Ph.: +49-221-5743-8070 | Fax: +49-221-5743-8099 mailto:weber at papaya-cms.com | http://www.papaya-cms.com/ -- Geschaeftsfuehrer: Andreas Jacobi, Andr? Schnitzler, Daniel Sch?fer Sitz&...

...of comments and moderation points, so it's given me some "animo" to fix it up and put the rest of it out there. I'm going to distribute this under an open content license. If anyone wants to print it in the trade press or newbie sites feel free, but keep it intact. http://papaya.altamente.com/ogg.html I think it's an easy to read, non techie look at music encoding (ogg in particular) that should be a nice intro for newbies. Any technical details that I've missed or errors that I've made, I'd appreciate any feedback. Thanks, James O'Malley ---...

Thought I'd throw another log on to the quality debate to liven things up a bit. Does anyone have any evidence anecdotal or otherwise on the difference between -q 5 and -q 4.99? Now, I know that the difference between them is ONLY that a lossy channel coupling is used at 4.99 and that lossless channel coupling is used at 5. So my question is: How good is the channel coupling in 4.99? Can

I recorded some live stuff with a new sound card (which defaults to 48000kHz) and because I didn't set sox right (-t wav wasn't also forced to 44100), I have an ogg that think's it's longer than it really is, and is therefore too low and slow. Is there a quick and dirty hex edit or something I can run it through to fix that, other than decoding and encoding again? Thanks,

Back in 2001 Patrick Godeau posted to this list a link to an awesome track called stonehenge. A bunch of us here downloaded it. Somehow I managed to hose my copy and was wondering if anyone on this list still has it around and could post a link or email it to me? I absolutely love that track and I can't even see where I could purchase it... as far as I know it's a one of a kind gem,

I'd like to know if there's a way to non-destructively reverse L-R channels in an ogg vorbis file? I've been recording live classical sources, but until tonight haven't listened to them on anything with even approaching decent stereo separation. Well, you guessed it. Why the hell are the violins on the right and the brass on the left? Checked my equipment and sure enough, cable

Don't know if anybody is still missing the lame oggenc features for resampling, lowpass/highpass filters etc, but I wrote a little script that uses sox to do all the stuff I need to real-time encode oggenc from the radio, or any input device. #!/bin/bash DATE=`date '+%m-%d-%Y-(%H.%M)'` DESTIN=/video/music/perftoday export DATE=$DATE'-PerformanceToday.ogg' sox -V -r 44100 -c