Displaying 9 results from an estimated 9 matches for "mylesb".
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myles
2003 Jan 24
3
OT: don't send html email - RE: Musicmatch
uggggh,
Friends don't let friends send HTML email.
A friendly request that you be considerate to those that do not want email
in virii susceptible formats.
Myles.
<p>Lorenzo banged on his keyboard and his computer puked the following....
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content="MSHTML
2002 Mar 14
0
OT (pipes) - Was RE EAC: Ogg-on-the-fly?
>>Assuming someprog writes raw 16-bit signed stereo PCM to its
>>standard output, the following encodes the output of someprog to
>>foo.ogg, without using any temporary file :
>>
>> someprog | oggenc -r -o foo.ogg -
>>
>>For example, to encode track 1 of the audio CD in the drive :
>>
>> cdparanoia -r 1 - | oggenc -r -o track1.ogg -
>>
2002 Jun 21
0
OT - RE: When will quality increase be unnoticable?
In all the abx'ing and ear testing I've done in the past for my classical
and jazz music I have never seen or heard bladeenc output worse than xing.
(worse than lame, yes)
Now, to sorta keep this ON topic. I have never heard a an xing, blade OR
lame encoded mp3 sound better than a Garf tuned RC2 encode of my Jazz and
Classical stuff, (not a large sample set).
Also, I haven't used
2002 Jul 19
2
OT slashdoted BEFORE release?!?!
Dammit, Why can't slashdot at least confirm that A) its released and B) its
MIRRORED
BEFORE setting loose the /.'ers
http://slashdot.org/article.pl?sid=02/07/19/1320219&mode=thread&tid=141
Myles
<p>--- >8 ----
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2002 Aug 27
0
OT - the "Dear Thompson Media" open letter.
I must admit, reading this: http://www.xiph.org/ogg/vorbis/openletter.html
brought out the loudest laugh in quite some time.
My kids, hearing the hub-bub, gathered around the PC to see what I was
laughing at. I *attempted* to explain the new mp3 licensing terms to
my youngest daughter.
I finally hit pay-dirt when I explained to my kids the bait-and-switch,
what Thompson Media is doing now,
2003 May 05
0
with binaural-(or dummy head-or Kunstkopf-) recordin g, does vorbis keep the 3D sound?
Not exactly sure if this is what you are looking for, but here goes:
RC3 and prior maintain channel seperation with Q>=5.0 (cut-off is exact)
Vorbis 1.0 maintains channel seperation with Q>=6.0 (not sure of the exact
cut-off)
with release code, selecting a Q of 5.99 or lower will make assumptions for
channel seperation to save bits.
earch the archives for "ambisonics" - you may
2002 Jul 16
1
OT - RE: Coffee Break...
Your mention of the good ole' days of fidomail w/o spam got me digging for
my Wildcat install disks. I found them both. Now I realize I got rid of my
5.25 inch drive in 1991.
Hrmph.
- btw I love the lyrics. :)
<p><p>-----Original Message-----
From: Robert Cole [mailto:robert@support4linux.com]
Sent: Tuesday, July 16, 2002 14:16
To: vorbis@xiph.org
Subject: [vorbis] Coffee
2002 Mar 26
2
OT: Perfect Pitch
I won't bother quoting all of Moz's statements of how sound
is interpreted by those blessed/cursed with tape recorders
in their heads :)
I will add that his whole explanation of perfect pitch
perception easily offers an explanation as to why
some individuals will only archive flac/pac/ape (Moz - do you?)
and those of us that do not perceive that level of
detail and are fine using ogg
2003 Jun 10
1
Calling for 5.1 Mastering experience! (vorbis am bisonics and 5.1)
On 20030610: Gregory Maxwell wrote:
(in reply to Ralph Giles)
>> I assume you're aware of the technical documentation on dolby's site?
>> (http://www.dolby.com/pro/) In particular the surround mixing guide has
>> a lot of detailed guidelines. I don't have any practical experience
>> with it though, so I can't vouch for it.
>Yes I am. I've done a