search for: decorrelator

Please, I'm looking at speex rc1 echo_cancellation API docs and I found there is now a funcion for doing decorrelation: void speex_decorrelate( SpeexDecorrState * st, const spx_int16_t * in, spx_int16_t * out, int strength) How does it fit to the speex_echo_cancellation function ? When removing echo from multiple channels I need to decorrelate the input mic first and

Hi FLACers I'm studying music production and am currently doing an analysis of the FLAC format. If anyone has the knowledge and a minute to explain i would greatly appreciate any help. One thing that i cannot make sense from in the FLAC documentation (a thing that is hard to find info on in general) is how the decorrelation fase works exactly. I understand that the two channels in a stereo

Dear all, I have just implemented a gstreamer plugin for the Speex AEC, but now I would like to extend it to a multichannel echo cancellation I have been searching documentation about that but I could not find it Where it is? If it doesn't exist? Could you add a short example showing how do you think it should work? or It's "just" necessary to: init the multichannel echo

--- Ulrik Nissen <obbarius@rediffmail.com> wrote: > > Hi FLACers > > I'm studying music production and am currently doing an analysis of > the FLAC format. If anyone has the knowledge and a minute to explain > i would greatly appreciate any help. One thing that i cannot make > sense from in the FLAC documentation (a thing that is hard to find > info on in

Dear all, I made a simple test of the Cholesky decomposition in the package 'Matrix', by considering 2 variables 100% correlated. http://blogs.sas.com/content/iml/2012/02/08/use-the-cholesky-transformation-to-correlate-and-uncorrelate-variables/ The full code is below and can be simply copy&paste in the R prompt. After uncorrelation I still have a correlation of +-100%...

when i encode i multi channel file, does flac encode every channel seperatly or does is look for similarities between channels? the documentation says: INTER-CHANNEL DECORRELATION In the case of stereo input, once the data is blocked it is optionally passed through an inter-channel decorrelation stage. The left and right channels are converted to center and side channels through the following

On 1/2/07, Josh Coalson <xflac@yahoo.com> wrote: > I'm not sure I understand... I think the INDEPENDENT you are referring > to means the interchannel decorrelation method. this stage is before > and independent of LPC analysis. Correct. > I'm not sure why "independent" frames would not decode correctly > though. more info on exactly how it is not working

Hello, I am new to the list, to FLAC and to FLAC development but I am having a problem in trying to make FLAC work with MediaMVP based the mvpmc project (ref. http://www.wvpmc.org) that hopefully someone can help me with. This device is possibly minimum spec. for a FLAC decoder. In any case, I have had some success cross-compiling libFLAC (without the ogg or metadata modules).for the embedded

Hey everyone, I have a few questions about FLAC that aren't answered in the FAQ or the documentation. Maybe someone knows about these details. 1. What exactly is meant by "reference encoder"? 2. Concerning interchannel decorrelation, what is the point of creating separate signals, why not just keep the channels you have? For example, you might create "mid" and

Hi, I work for a company which makes meteor and wind radar (http://www.gsoft.com.au). On occasion (ie during meteor showers such as the Leonids) we configure the system to save raw data as it comes out of the acquisition system, the data rate for this varies (depends on acquisition parameters and number of coherent integrations etc), but usually it is around 600kb/sec. The data consists of 16

Josh Coalson wrote: > yeah, flac doesn't have a 'gzip' fallback method > so any non-audio data will probably get stored > verbatim. I'm kind of reluctant to add a generic > compressor. If you wan't, you could come up with a > FLAC metadata block to store a gzip'ed chunk and I > could add that to the format. > I had the same thought when I was

Hi everyone, I've just released Speex 1.2rc1. This adds support for acoustic echo cancellation with multiple microphones and multiple loudspeakers. It also adds an API to decorrelate loudspeaker signals to improve multi-channel performance. In the bugfix department, there are fixes for a few bugs in the echo canceller, jitter buffer and preprocessor. At this point, the API for 1.2 should be

Hi, I plan to use AEC for a live performance, storytelling for very young children (and their parents!) in a mongolian yourte . Actually the storyteller can make vocal loops, there is an omnidirectional microphone in the center of the yourte, 5 loudspeakers in a circle along the yourte's wall and Pure Data in a linux box. And now she wants to make vocal loops over music and loops over

...ink of one thing that would give them much higher rates, and that is if they take advantage of inter-sample correlation (by 'sample' I mean sample in the soundfont terminology). for example, if your soundfont was storing 88 'samples' from a piano (one for each key), an inter-sample decorrelator might model all the octaves together since it knows the structure of the font, which FLAC cannot. Josh __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/

Hello, I'm new to this list, and I would like to know about the current status of FLAC and surround formats (5.1, 7.1). I know it is possible to compress interleaved multichannel files with FLAC, but does it in any way have any multichannel matrix, that collects common information from all channels and use this when compressing? If not, wouldn't it be a great idea to have this feature!!!

--- MVallevand <mvallevand@gmail.com> wrote: > Hello, I am new to the list, to FLAC and to FLAC development but I am > having a problem in trying to make FLAC work with MediaMVP based the > mvpmc project (ref. http://www.wvpmc.org) that hopefully someone can > help me with. This device is possibly minimum spec. for a FLAC > decoder. > > In any case, I have had some

--- MVallevand <mvallevand@gmail.com> wrote: > On 1/2/07, Josh Coalson <xflac@yahoo.com> wrote: > > I'm not sure I understand... I think the INDEPENDENT you are > referring > > to means the interchannel decorrelation method. this stage is > before > > and independent of LPC analysis. > > Correct. > > > I'm not sure why

Martin Leese wrote: > > At: > http://flac.sourceforge.net/documentation_tools_flac.html#flac_options_exhaustive_model_search > > it states, "If the max LPC order is high this > can significantly increase the encode time." > This suggest that if the max LPC order is low > then using -e will not be slow. > ---- That brings up another question then... What

Linda Walsh <flac at tlinx.org> wrote: ... > That brings up another question then... What is 'hi' (v. low?)... Zero, or close to zero, is low. 12 is high. ... > What's a subset stream? This is explained at: http://flac.sourceforge.net/format.html in the bulleted point beginning, "FLAC specifies a subset of itself as the Subset format." ... > Another

Hello, We (Google) have been experimenting with configuration and adjustments to CELT-only Opus that give good results for compressing ambisonic audio signals [1]. Based on our results so far, we would like to use Opus to encode spatial audio. We hope to make it easy/possible to use libopus with other common tools and software modules (ffmpeg/libav in particular). Based on my reading of the