search for: auditorium

Hi. I am a student with limited funds and storage space on my linux box. So I am trying to decide what audio compression scheme to use for my collection of audio tapes (recordings of one speaker, preaching in an church auditorium, recorded with low-grade mics and tape decks) converted to digital audio (16bit, stereo, WAV, 44100Hz). Is FLAC, LPAC, or a standard data compression format better for compressing this type of audio for long-term storage/archival purposes? Thanks for your help. Sincerely, Dan _________________...

...idn't try. Via which > way do you intend to have e.g. a line-in to the iPaq with reasonable > quality. Would be really interesting to figure out such things ... > and then use a WLAN-cradle to transport data to the internet *g* The main use would be covering events at sports fields, auditoriums, etc. that are away from the studio. Since these would already have a PA mixer at them, generally I'd just use an Aux out (line level) from the mixer to line in on the PDA. But a single XLR mic with a converter to 1/8" phono should work too, right? What's the audio quality built in...

...ry day and concerts in the evenings. i would like to invite you to join us, either in person (attendance to the conference is free) or remotely over the internet. for remote participants of the conference, there is a chat room #lac2005 on irc.freenode.net. a chat operator will be present in the auditorium in karlsruhe and will relay your questions to the lecturer and the local audience. papers and slides will be made available for download in advance if possible. information about the streams and how to watch them is at http://lac2005.zkm.de. huge kudos to the icecast, ogg, vorbis and theora d...

Hi folks, sorry about this unusual email but I wasn''t sure where else to send this. I just attended PuppetConf 2011 in Portland. On the last day near the end of the conference, I found a pair of sunglasses in the main auditorium. I stowed them in my backpack intending to find out if there was a lost and found, but I confess that I completely forgot about them until I found them after getting home. I looked them up online and found that they are relatively expensive sunglasses. If you are the owner and can identify the t...

...you''ll need to show up and see if that happens. We will have a call-in number so that remote folks can hear and be a part of our meeting. Please use the call-in info below. This is limted to the first 125 users. When: Thursday, August 24, 2006 Where: Sun''s Santa Clara Campus Auditorium (upstairs) What: Crossbow, Network Virtualization Technology Time: 7:30pm-10:00pm Map: http://blogs.sun.com/roller/resources/aland/scasj_dirmap.pdf Call-in Info: Toll Free: 866-545-5227 Intnl/pay: 865-673-6950 Conference: 809-64-14 -- Alan DuBoff - Sun Microsystems Solaris x86 Engineeri...

Has anybody used anything other than a PC as a source for icecast2? Are PDAs powerfull enough? I know vorbis encoding takes a signifigant amount of CPU power, but I've been able to do it on 4 year old PCs. Does a 206MHz Intel StrongARM 32-bit RISC processor have as much power as a 200 Mhz Pentium? I'm thinking Compaq iPaq, running Familiar Linux and IceS, would make a nice portable

...-encoded Ogg stream, how do we play it? There will be two ways. The first way is the way Ambisonic material has traditionally been played -- the B-format signals are outputted directly, and fed to an outboard decoder module. This offers maximum flexibility, as this decoder could be a 128-speaker auditorium model. The drawbacks, however, would be showstoppers if this were the only playback method. (The biggest drawback is the need for everyone to have a decoder -- they aren't very common, so they're fairly expensive.) The second way is the way I propose that most of us will play this -- sof...

...how do we play it? There > will be two ways. The first way is the way Ambisonic material has > traditionally been played -- the B-format signals are outputted directly, and > fed to an outboard decoder module. This offers maximum flexibility, as this > decoder could be a 128-speaker auditorium model. The drawbacks, however, > would be showstoppers if this were the only playback method. (The biggest > drawback is the need for everyone to have a decoder -- they aren't very common, > so they're fairly expensive.) > > The second way is the way I propose that most of...

...-encoded Ogg stream, how do we play it? There will be two ways. The first way is the way Ambisonic material has traditionally been played -- the B-format signals are outputted directly, and fed to an outboard decoder module. This offers maximum flexibility, as this decoder could be a 128-speaker auditorium model. The drawbacks, however, would be showstoppers if this were the only playback method. (The biggest drawback is the need for everyone to have a decoder -- they aren't very common, so they're fairly expensive.) The second way is the way I propose that most of us will play this -- sof...