similar to: Recommendations for Pre-/Post-Processing

Will oggenc have a lowpass switch? I would prefer to lowpass at 15-16khz at -q3 for use with FM broadcasting. The additional frequencies would be chopped off anyway by the transmiters hardware lowpass filter so the encoder could use the addition bits for other purposes. It could be enforced that the lowpass can only be reduced and not increased from the default. This would stop people

On Fri, 6 Apr 2001, John Griffiths wrote: > ok so 24kbps for 56k modems... > > can i go any lower and get the 28 k modems? (still a lot of them about) or will 24 be good enough fo that? As others have said, 16kbps should do the trick. Keep in mind though that the quality of the sound will also depend on the sampling rate. MP3 will handle some higher sampling rates higher than some of

Hi, recently I made some test with the opus tools (enc and dec) and I'm very (and positively) surprised about the resultant quality. But the only think that I miss is the ability to change the low pass filter frequency via "--lowpass" option or similar. For example at a quality or 96 kbps the cut off of the filter starts at 16Khz and is completely cut at 20 Khz. But in case of

Back in the day, when I was still using LAME, I was aware of the fact that the program would cut off frequencies above a certain level (lowpass). With 192 kbps this was usually around 20Khz (which is the highest frequency a human can hear, as far as I know), and at 128 something like 16Khz. Does Vorbis do something similar? If so, does someone have a chart of the cutoffs at the different quality

Hello, I was wondering about the lowpass filter applied at the different quality levels. It seems that the 16kHz cut-off is still there at quality 3. I didn't really abx it, so maybe my mind plays tricks on me. :) Please can someone enlighten me what is used for -q0, -q1 and so on. (lame tells me whats used when encoding tracks) I know I shouldn't judge by bandwidth but I would like to

After doing an informal (128k) listening test, I have concluded that I prefer Beta4 over RC2. The 16kHz low-pass on the RC2 encoder makes it sound like FM radio. Both encoders SEEM to have a couple of dB bump at 10kHz. JT --- >8 ---- List archives: http://www.xiph.org/archives/ Ogg project homepage: http://www.xiph.org/ogg/ To unsubscribe from this list, send a message to

I would very much like a lowpass option because for FM radio broadcasting I don't want to encode frequencies above 15khz. I'm waiting for this option before switching to ogg from mp3(lame). Ross. > -----Original Message----- > From: owner-vorbis@xiph.org [mailto:owner-vorbis@xiph.org]On Behalf Of > Gian-Carlo Pascutto > Sent: Tuesday, 4 September 2001 01:46 > To:

On Aug 07 00:41:52, petrparizek2000 at yahoo.com wrote: > ????#1. To test encoding at low bitrates, I encoded a sine sweep at 12 kbps > with Opusenc and then decoded the resulting file with Opusdec. What sine sweep exactly? How did you obtain it, and how exactly did you encode and decode it? Jan > The strange > thing was that even though the output wave file was at 48 kHz, it

Hello, I understand it would be better to post several messages with separate topics but I hope I don't cause too much mess if I put it all in a single message this time. To be clear, recently I've been testing Opus Tools under Windows and these are my questions/observations. ????#1. To test encoding at low bitrates, I encoded a sine sweep at 12 kbps with Opusenc and then decoded

Hi I used R for the first time yesterday. I wanted to plot the aliasing effect of sampling a 5.5KHz sinusoid at only 8KHz (below the Nyquist limit). So I wrote a small R script that a) plots 1msec worth of a 5.5KHz sin wave b) plots 1msec of the resulting 2.5KHz alias and c) plots the 8 sampling points on the 5.5KHz source wave. I think I have found a bug. The script is as follows:

On Aug 07 08:30:31, hans at stare.cz wrote: > On Aug 07 00:41:52, petrparizek2000 at yahoo.com wrote: > > ????#1. To test encoding at low bitrates, I encoded a sine sweep at 12 kbps > > with Opusenc and then decoded the resulting file with Opusdec. > 1) Opusenc --bitrate 12 --downmix-mono Sweep50.wav Sweep50.opus Why are you using a stereo file containing the same sweep in both

Is anyone can help me with this ? I'm really desperate. Thx in ad. From: asterisk-users-bounces at lists.digium.com [mailto:asterisk-users-bounces at lists.digium.com] On Behalf Of Ikka - Mitra Kreasindo Sent: Wednesday, September 14, 2011 5:02 PM To: 'Asterisk Users Mailing List - Non-Commercial Discussion' Subject: [asterisk-users] Mixmonitor command parameter problem on

Caleb wrote: > i dont understand you people. >-q0 should be poor quality, only that in vorbis, the poor quality is > actually good! :) Another advantage I see in reducing the nominal bitrate for q0 to 48kb/s with a ~13khz lowpass is a smoother transition in average bitrate and frequency resolution from 22khz to 44khz sampling. Currently there is a jump from 11khz (at 22khz

Don't know if anybody is still missing the lame oggenc features for resampling, lowpass/highpass filters etc, but I wrote a little script that uses sox to do all the stuff I need to real-time encode oggenc from the radio, or any input device. #!/bin/bash DATE=`date '+%m-%d-%Y-(%H.%M)'` DESTIN=/video/music/perftoday export DATE=$DATE'-PerformanceToday.ogg' sox -V -r 44100 -c

Jean-Marc Valin wrote: > Thanks for the fix. I applied to CVS. It'll be included in the 1.0.1 > version I plan to release soon. Great! Any ETA on the 1.0.1 version? I am just on the verge of releasing a product containing Speex, but might stall for a month or two if significant updates are imminent. With the start of summer vacation in Denmark the whole country pretty much grinds to

Dear list, Could you please tell me the values of the minimum and maximum cutoff frequencies for each coding version of the 44.1 kHz sampled data? For instance, are the values fmin=100 Hz and fmax=12 kHz valid? Thank you very much in advance. Kind regards, ? Fernando A. Marengo Rodriguez, PhD Post-doctoral fellow on Acoustics and Beamforming -- Laboratory of Noise and Vibration (LVA) Federal

A while ago someone asked about a low-pass filter for oggenc and was told to get AFsp and filter outside of Oggenc. Well, I got it, and am totally lost (It's way more complicated than SOX) so now can anyone briefly describe what type of filter I should set up (FIR, IIR, all-pole), why one is better than the other, and if you have filter coefficient files lying around (lowpass, 19 or 20 kHz

Is there a list somewhere of "standard" encoding rates? I know, for example, CDs are encoded at 44100, as is a lot of digital sound, but I've seen programs that specify different levels of quality (like radio, phone, tape, CD) and I'd like to know if there are some encoding rates that are accepted as standardized for recording at different levels of quality. If so, is there

Maybe Monty will make a video about it one day and we will all understand it. ;-) Silvia. On Tue, Mar 19, 2013 at 3:22 PM, Benjamin Schwartz <ben at bemasc.net> wrote: > Presuming that you are asking regarding the Ogg Vorbis audio format, the > correct answer is: there is no minimum or maximum cutoff frequency. Vorbis > can code all frequencies from DC to Nyquist. What Vorbis

Hi, I was wondering if anyone has experimented with Speex's wideband (16kHz) mode at lower quality settings. In particular I have been using quality 3, and with wideband input files the resultant frequency spectrum is limited to about an upper end around 3.5kHz (almost telephony quality bandwidth). Has anyone tried increasing the spectral bandwidth at the expense of lowering the