search for: soundexchang

...from nodes in node.bfs. # Need to trim out NaN vertices from node.bfs node.g <- induced.subgraph(all, node.bfs$order[which(!is.na(node.bfs$order))]) return(node.g) } Thanks, David Marx Please note our office has moved: David Marx | Data Analyst Specialist, Claims Dept | SoundExchange, Inc. 733 10th Street, NW | 10th Floor | Washington, DC? 20001? P: 202.640.5858?| F: 202.640.5859 | info at soundexchange.com? www.SoundExchange.com | Facebook | Twitter| YouTube

...for all of the artists they represent, fees based upon roughly how many listeners your station has & how many songs in your broadcast are by artists/composers they represent. B) Obtain permissions from the copyright holder of the particular *recording* of the composition you want to play. SoundExchange (a division of the RIAA) offers a compulsory license at .07 cents per song per listener, for every song you play. There *was* a deal for an alternative percent of revenue royalty, but the legislation authorizing this had a sunset clause of December 2002. C) Switch your Internet connection to...

...cription to small broadcasters. Best regards, Jean-Luc On jeudi 7 mars 2019 at 11:28 AM, Richard G Elen <relen at brideswell.com> wrote: Hi there... I would appreciate a pointer to the appropriate documentation to help us build a database system to create our royalty reports for SoundExchange in the US from activity on our Icecast server. I want to log artist and title from the metadata, plus the number of times a track has been played and when, and how many listeners in the US heard each play (ie the total "Performances", plays x listeners). I also want to log t...

...ts they represent, fees based upon roughly how many > listeners your station has & how many songs in your broadcast are by > artists/composers they represent. > > B) Obtain permissions from the copyright holder of the particular *recording* > of the composition you want to play. SoundExchange (a division of the RIAA) > offers a compulsory license at .07 cents per song per listener, for every song > you play. There *was* a deal for an alternative percent of revenue royalty, > but the legislation authorizing this had a sunset clause of December 2002. > > C) Switch your In...

Hi Geoff, On 11/13/2014 07:59 AM, Geoff Shang wrote: > On Thu, 13 Nov 2014, Roger H?gensen wrote: > >> Shoutcast v1, Shoutcast v2, Icecast-KH are all "compatible" with the >> way info is collected by StreamLicensing. > > It's not really clear to me what you're looking for in terms of > specific stats. There's an earlier thread, this message

...age) to collect listener time stats. The listener stats (the id, ip and connected) is vital for building the logs that StreamLicensing.com needs. Due to this SL can only support Shoutcast v1, SHoutcastv2 and Icecast-KH. These stats are vital for the calculation and reporting of the royalties to SoundExchange and various PROs. This causes a small issue as server hosting companies only support Icecast (not the -KH branch), and Centova Cast (which many hosters use for their backend) do not support Icecast-KH either. This causes a deadzone where Icecast 2.4 can not be used as the streaming server. I...

Q. What rate has SoundExchange proposed in the arbitration? A. While SoundExchange continues to negotiate deals tailored to individual needs, it has asked an arbitration panel to set the industry rate for webcasters as follows: * Webcasters (including AM/FM webcasters) may choose to pay either $0.004 (four-tenths of on...

hello, mp3src ==> icecast ==> clients * as shown above, when rebroadcasting streams from mp3 source, how can i write code on the server to locate song boundaries? i would like to keep track of songs that are broadcasted, number of people listening to it etc. thanks, deva <p><p>--- >8 ---- List archives: http://www.xiph.org/archives/ icecast project homepage:

Hello all, I skimmed the last year's worth of messages and all the docs and could find no reference to this. I'm hoping someone here can assist. I am a host for an Internet radio station,and we gave about 20 DJs. Each host determines their own playlist and uses a variety of tools to broadcast to the Icecast server (e.g. SAM2, SimpleCast, etc.). Since we do not have a set playlist for

...> The listener stats (the id, ip and connected) is vital for building the >> logs that StreamLicensing.com needs. >> Due to this SL can only support Shoutcast v1, SHoutcastv2 and Icecast-KH. >> These stats are vital for the calculation and reporting of the royalties >> to SoundExchange and various PROs. >> This causes a small issue as server hosting companies only support >> Icecast (not the -KH branch), and Centova Cast (which many hosters use >> for their backend) do not support Icecast-KH either. >> >> This causes a deadzone where Icecast 2.4 c...

...ons? I actually have a patch for icecast that adds the ability to logs metadata changes. I created a somewhat arbitrary format (pipe delimited with the fields : datestamp|mountpoint|listeners|metadata) however I'm open to discussion of what a proper format for this should be. I know that SoundExchange has some reporting requirements, not sure if there are other organizations that require this type of thing. I was planning on committing what I had with the format I've defined, but I'd also like to get input from people who would actually use this kind of thing...ideas ? for the reco...

...royalty collector purposes could be implemented (Icecast 2.5? 2.6? 2.7? 3.0 ?) for the long run as suggested earlier by whomever it was (sorry I forgot). Todays "hammering" once every minute or so is not the best design (being a programmer I'm well aware of that). I'm sure even SoundExchange and the acronyms out there would not mind standardizing some of the info presented (to allow accurate geographical stats that still respect privacy) if it means they'll get even more accurate data than currently. -- Roger "Rescator" H?gensen. Freelancer - http://www.EmSai.net...

...e stats. > > The listener stats (the id, ip and connected) is vital for building the > logs that StreamLicensing.com needs. > Due to this SL can only support Shoutcast v1, SHoutcastv2 and Icecast-KH. > These stats are vital for the calculation and reporting of the royalties > to SoundExchange and various PROs. Hmm, thanks for summarizing this. I have an item to look into exactly this type of thing, but it didn't even reach trac yet. > This causes a small issue as server hosting companies only support > Icecast (not the -KH branch), and Centova Cast (which many hosters use...

> On Sat, 2005-03-05 at 23:52, Mihail Egorov wrote: > > 1. How can I identify disconnect due to low <queue-size>. Suppose, I have > > enabled loglevel=4 (debug). Suppose, I have network jam. What shall I see at > > error.log? > > There is a log message that signifies the removal of a listener for > being too slow and that is > "Client has fallen too far

On Thu, 13 Sep 2001, Jack Moffitt wrote: > > ================================================================== > > hey josh, > > i talked to [faculty advisor] today and was told we must stop our online > > streaming. reasons for this rash decision involve around a new law that > > was put in place over the summer saying that stations who broadcast online > >

...anding is that > traditional radio stations are not exempt if they broadcast via the > web. In short, the RIAA and the labels it represents are greedy > individuals and will take their money whereever they can get it. If the > money is green they want it. Great, so should we file with SoundExchange or wait for the RIAA to pick a rate? I'm emailing sound exchange, I think it would be great if they charged us %15 of our gross revenue, hell I would gladly pay them %100 of $0. Even if they insisted on collecting $0.004 per performance I don't think we have even 100000 "performance...

...seemingly innocuous e-mail, website or programme, but then allow hackers access to everything on the machine. They used illegal means to provide extra services for clients and had a price list for those services. I clicked on the icon and it continued to do nothing. org Copyright Royalty Board NPR SoundExchange Last. Playing LAN multiplayer games is now possible without having an internet connection present. iTunes - Reviews and free downloads at Download. Rounding out the feature set are parental controls, integrated podcasts, and a smart-shuffle option. "We don't want to punish our users and...

...seemingly innocuous e-mail, website or programme, but then allow hackers access to everything on the machine. They used illegal means to provide extra services for clients and had a price list for those services. I clicked on the icon and it continued to do nothing. org Copyright Royalty Board NPR SoundExchange Last. Playing LAN multiplayer games is now possible without having an internet connection present. iTunes - Reviews and free downloads at Download. Rounding out the feature set are parental controls, integrated podcasts, and a smart-shuffle option. "We don't want to punish our users and...

Hi, I've built a function to generate plots and would like to be able pass in column names as a parameter. Here's a boiled down version of what I have right now: pmts <- data.frame(date=c(1,2,3), all=c(5,6,7),maj=c(4,5,6),ind=c(3,4,5)) perc.mktshare <- function(df){ range1 <- floor(min(with(df, 100*ind/all))) range2 <- ceiling(max(with(df, 100*ind/all)))

On Thu, 13 Sep 2001, Joshua Vickery wrote: > Great, so should we file with SoundExchange or wait for the RIAA to pick > a rate? Yes, you are supposed to file with the RIAA (SE as you suggest?). Period, end of story. Jwz covers this on his site IIRC. > Even if they insisted on collecting $0.004 per performance I don't think > we have even 100000 "performances&qu...